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Traditional

Enduring grace

Every room tells a story of craftsmanship and quiet sophistication.

Classic, timeless design rooted in 18th-19th century European aesthetics. Symmetry, rich woods, ornate details.

More formal, layered and symmetrical than Transitional; grander and more polished than English Country.

Jeid Studio

What sits closest

The styles nearest to yours, measured the same way the quiz measured you. A room of yours that does not quite fit this style often fits one of these.

TudorHeritage & Formal
GeorgianHeritage & Formal
ColonialHeritage & Formal

How we specify it

What we reach for on a project in this style.

Furniture

Wingbacks, Chesterfields, wood casegoods, striping, nailheads, contrast welts, specialty furniture feet, casters, mixing tight back and pillow back.

Fabrics

Silks, velvets, cotton blends, damasks, plaids, floral, linen, menswear, animal prints.

Lighting

Crystal chandeliers, shaded sconces which could be patterned, silk or linen lamp shades in ivory or parchment, lanterns, gas lanterns, soft curves.

Rugs

Hand-knotted Persian and Oriental rugs in deep reds, blues, greens. Wool pile, intricate borders.

Flooring
  • Dark-stained hardwood, walnut or cherry.
  • In entries and dining, checkerboard marble or inlaid parquet.
  • 3.5 inch wide wood plank.
Counters

Dark soapstone, marble, quartzite, polished finishes.

Cabinets

Raised or recessed panel doors, inset construction, decorative molding or trim, furniture-style bases, rich stained woods or classic painted finishes, detailed hardware in brass or bronze.

Metals

Brass, oil-rubbed bronze, polished nickel, hammered. No brushed nickel.

Details

Grasscloth, damask or striped wallpapers, wainscoting, heavy drapery, paneled walls, ornate ceiling medallions, crown molding, higher gloss paint, more ornate trim throughout, coffered ceilings, arches.

Artwork

Oil paintings, landscapes, portraits, still lifes or classic prints. Ornate gold or dark wood frames, symmetrical arrangements, subjects that feel timeless, formal and collected.

What clients call it

Warm, timeless, classic, collected

How pattern works here

40% solid ยท 60% pattern
  • Traditional design celebrates pattern โ€” it's a key differentiator from modern styles.
  • Rooms should feel richly layered with coordinating (not matching) patterns at varied scales.
  • Classic formula: one large-scale (drapery or rug), one medium-scale (upholstery or wallpaper), one small-scale (pillows or trim).
  • Keep patterns in the same color family and mix types โ€” floral with stripe, damask with geometric.
  • Every seating area should include at least two visible patterns.

Surface by surface

What this style asks for on each surface, and what pushes it into a different style entirely.

Flooring
  • Solid or engineered hardwood 3"-5" widths.
  • Red oak, white oak, walnut with medium to dark stain.
  • Parquet patterns (herringbone, Versailles) are signature.
  • Stone in formal entries โ€” marble, limestone, slate.
  • Avoid: wide-plank over 7", whitewashed, concrete-look, large-format porcelain.
Tile
  • Classic marble โ€” Carrara, Calacatta, Crema Marfil.
  • Subway 3"x6" beveled edge.
  • Hexagon mosaic 1"-2" marble for bath floors.
  • Basket-weave and pinwheel patterns.
  • Decorative borders.
  • Avoid: large-format slabs, cement tile, zellige, industrial.
Carpet
  • Wall-to-wall preferred in bedrooms, studies, formal rooms.
  • Wool in deep tones โ€” navy, burgundy, forest green.
  • Patterned: damask, trellis, subtle floral.
  • Stair runners with brass rods.
  • Avoid: sisal, jute, low-pile industrial.
Cabinets
  • Raised panel or beaded inset, full-overlay or inset construction.
  • Painted warm white, cream, deep green, navy.
  • Cherry or mahogany for studies.
  • Applied moulding, corbels, decorative feet.
  • Crown tying to room crown.
  • Avoid: slab doors, handleless, two-tone, rift-cut modern.
Cabinet hardware
  • Knobs on doors, pulls on drawers.
  • Polished brass, oil-rubbed bronze, polished nickel.
  • Ornate backplates on features.
  • Bin/cup pulls 3" CC.
  • Knobs 1-1/4" to 1-1/2" dia.
  • Crystal/glass for dressy.
  • Avoid: bar pulls, matte black, hidden hardware.
Plumbing fittings
  • Widespread cross handles โ€” 8" centers, signature Traditional.
  • Polished brass, nickel, chrome.
  • Bridge faucets for kitchen.
  • Undermount oval sinks (17"x14").
  • Clawfoot or skirted tubs.
  • Pedestal sinks in powder rooms.
  • Avoid: wall-mount, matte black, vessel sinks, minimalist.
Lighting
  • Crystal chandeliers โ€” Maria Theresa, Empire, Georgian.
  • Brass lanterns for entry.
  • Shaded sconces โ€” silk or pleated on brass arms.
  • Table lamps on every surface.
  • Avoid: exposed-bulb, industrial, matte black, sculptural contemporary.
Fireplaces
  • Wood mantel with classical proportions โ€” dentil, fluted pilasters, carved corbels.
  • Extends 8"-12" past firebox.
  • Marble or limestone surround.
  • Raised hearth 14"-18".
  • Herringbone brick firebox.
  • Gilt frame overmantel mirror.
  • Avoid: linear gas, frameless, floating mantels, concrete.
Windows
  • Pinch-pleat or goblet-pleat, floor-length with 1"-2" break.
  • Silk, damask, lined cotton.
  • Layered: sheer + over-drape.
  • Cornice boards, swags/jabots for formal.
  • Brass or wood poles with finials.
  • Avoid: roller shades alone, ripple-fold, bare windows.
Stone
  • Marble primary โ€” Carrara, Calacatta, Crema Marfil, Emperador.
  • Honed or polished.
  • Granite: Absolute Black, Giallo Ornamentale.
  • Soapstone for colonial.
  • Ogee or double-ogee edge.
  • Avoid: engineered quartz, concrete, waterfall edges.
Stone edges
  • Ogee is signature โ€” classic S-curve.
  • Double ogee for formal.
  • Bullnose for softer look.
  • Beveled acceptable.
  • Standard 3cm thickness.
  • Avoid: square/eased, mitered, knife edge.
Interior doors
  • Six-panel (most traditional) or four-panel, raised.
  • Painted trim white or stained.
  • Round doorknobs in polished brass, crystal, or porcelain.
  • Arched tops for formal entries.
  • Heavy casings 3-1/2" to 5" with back-band.
  • Avoid: flush, lever handles, pocket doors, minimal casing.
Stairs
  • Turned wood balusters.
  • Volute or turnout at base.
  • Substantial newel post 5"-6" with cap.
  • Wood handrail with traditional profile.
  • Stained treads + painted risers, or carpeted with brass rods.
  • Avoid: cable rail, glass, open risers, metal balusters, mono-stringers.
Wallpaper
  • Damask, toile de Jouy, chinoiserie, florals, stripes โ€” full traditional vocabulary.
  • Dining rooms and powder rooms primary.
  • Grasscloth for relaxed (study, bedroom).
  • Ceiling paper in small spaces.
  • Coordinate with fabric.
  • Avoid: abstract, oversized graphics, metallic contemporary.
Paint
  • Warm rich colors: BM Hale Navy, Newburyport Blue, Revere Pewter, Navajo White.
  • Jewel tones for dining/libraries: Gentleman's Gray, Narragansett Green.
  • Trim in bright white semi-gloss (Chantilly Lace).
  • Ceiling lighter than walls.
  • Avoid: cool grays, stark white walls, accent walls.
Ceilings
  • Crown moulding essential โ€” 6"-8" for 9' ceilings.
  • Coffered in dining/studies with deep 8"-12" profiles.
  • Medallions around chandeliers.
  • T&G on porches.
  • Plaster details, rosettes, dentil for high-end.
  • Avoid: smooth flat without moulding, cove lighting, modern flush.
Wall details
  • Full paneling vocabulary: raised panel wainscoting 32"-36" high, full-height raised panel in dining/entry, picture-frame moulding, chair rail at 1/3 height.
  • Layered moulding โ€” base cap, chair rail, picture rail, crown.
  • Profiles: ogee, cove, dentil.
  • Avoid: flat panels, board-and-batten, shiplap, clean walls without moulding.
Furniture
  • Wingback chairs, Chesterfield sofas, camelback settees, rolled-arm club chairs.
  • Queen Anne, Chippendale, Hepplewhite legs.
  • Pedestal tables, sideboards with carved detail, secretary desks.
  • Four-poster beds.
  • Tufted with nailhead trim.
  • Avoid: low-profile, metal frames, modular, slab-sided.
Textiles
  • Silk for formal drapery/pillows.
  • Damask, brocade, jacquard wovens.
  • Velvet in jewel tones โ€” ruby, emerald, sapphire.
  • Needlepoint pillows, tapestry throws.
  • Tassels, fringe, cord trim.
  • Chintz florals.
  • Avoid: performance fabrics, bouclรฉ, raw linen, distressed textures.
Rugs
  • Oriental and Persian โ€” Tabriz, Isfahan, Kashan, Heriz.
  • 8'x10' or 9'x12' with all legs on rug.
  • Runners 2'6"x8' or 2'6"x10'.
  • Aubusson for formal.
  • Needlepoint for accent.
  • Rich colors: navy, red, cream, gold.
  • Avoid: solid modern, cowhide, jute, abstract, faded vintage.

Where to start

Real paint colors and products, so you have something specific to take to a paint counter or a showroom.

Wall paint
Rich Jewel TonesHale Navy, Gentleman's Gray, Narragansett Green โ€” dining, library
Warm CreamFormal rooms, paired with white trim
Deep Red / BurgundyDining room, study โ€” classical drama
White Trim ContrastChantilly Lace semi-gloss on all millwork
Flooring
Oak โ€” Medium to DarkWide-plank or standard, formal finish
ParquetGeometric, formal rooms, polished
Marble โ€” EntryBlack and white checkerboard, classical
Carpet
Patterned Wool โ€” DeepClassical pattern, dining and library
Axminster RunnerFormal stair, brass rod
Plush Wool โ€” Rich ToneDeep red, navy, or forest green
Slab stone
Natural QuartziteDurable natural stone with unique movement, 3cm polished or honed
Engineered QuartzConsistent pattern, low maintenance, 2-3cm polished
Marble โ€” HonedClassic elegance, requires sealing, 3cm honed
Porcelain SlabLarge-format engineered, stone-look, 1.2-2cm
Trim
Layered ClassicalCrown 6"-8" with dentil, base 7"-8" with cap, chair rail, picture rail
Full PanelingRaised panel wainscot, full-height in dining, picture-frame moulding
Doors
Raised Panel 6-PanelSolid wood, formal, substantial
Polished Brass KnobCrystal for formal rooms, rosettes
Heavy Painted CasingCorner blocks, substantial profile
Transom AboveFixed glass, formal entries
Lighting finish
Polished BrassFormal, traditional, chandeliers
Antique Brass finish sample
Antique BrassWarmer, aged patina, relaxed formal
Crystal + BrassChandelier and sconce, dining and entry
Plumbing finish
Polished Brass โ€” Cross HandleFormal, widespread, traditional
Polished Nickel finish sample
Polished NickelBrighter alternative, formal
Antique Brass finish sample
Antique BrassPatina, heritage feel, powder room

Finish samples are shown on cabinet hardware, so the metal reads true. Finishes without a sample are ones we have not photographed yet.

The architecture underneath

A lot of what makes a room read as this style is in the architecture, before any furniture comes in.

Symmetrical FacadeBalanced window placement, centered entry, formal proportion
Steep Gable or Hip RoofDormers, ridge details, slate or cedar shingle
Classical ColumnsDoric, Ionic, or Corinthian โ€” supporting portico or entry
Pediment Over EntryTriangular or arched, dentil moulding, formal arrival
Multi-Pane Windows6-over-6 or 8-over-8 double-hung, true divided lite
Brick or Stone FacadeFull masonry, Flemish or running bond, quoined corners
Shutters โ€” OperableLouvered or raised panel, properly sized to window
Decorative CorniceDetailed eave trim, dentil, modillion blocks

What to know about the materials

A few materials this style uses need more care than they look like they will. Worth knowing before you choose them.

MarbleMarble etches when something acidic sits on it, like lemon, wine or tomato, and the marks are permanent. Some people love the softened look that builds up over time and some do not, so it is worth deciding before it goes in a kitchen.
TravertineTravertine is better kept off kitchen countertops.

If you are working on a house and want to see what this style would look like in it, set up a time with Jeid Studio and we can go through it with your answers in front of us.